Meyers’ performance revealed the glorious singing tone she and her violin, the 1741 Ex-Vieuxtemps Guarneri del Gesù, are known for. Soloist and orchestra were in lockstep. Whitacre’s “The Pacific Has No Memory” is an exquisite piece of neo-Romanticism. Whitacre’s writing features inspiring, even brilliant interplay between soloist and orchestra. If the solo violin is lamenting the destruction of homes and neighborhoods, the orchestra is contextualizing that lone voice into a chorus of community. Beautiful #review @blogcritics